Jeliza Patterson

110 notes

Norway Pays Liberia to Halt Deforestation in a First of Its Kind Deal

The benefits for the African nation could extend well beyond public health.

Earlier this week, Liberia announced it would accept $150 million in developmental aid from Norway tied to assurances that by the year 2020 all deforestation will be stopped in the West African nation. Liberia will accept the funding in order to pay small communities to avoid deforesting their land…

(Source: rhamphotheca)

303 notes

asylum-art:

Isamu Noguchi (1904–1988)

© The Isamu Noguchi Foundation and Garden Museum, NY

Noguchi did not belong to any particular movement, but collaborated with artists working in a range of different mediums and schools.  He created stage sets as early as 1935 for the dancer/choreographer Martha Graham, that began a lifelong collaboration, as well as for dancers/choreographers Merce Cunningham, Erick Hawkins, and George Balanchine and composer John Cage.  In the 1960s he began working with stone carver Masatoshi Izumi on the island of Shikoku, Japan, a collaboration that would also continue for the rest of his life, and from 1960 to 1966 he worked on a playground design with the architect Louis Kahn.

When given the opportunity to venture into the mass-production of his interior designs, Noguchi seized it.  In 1937 he designed a Bakelite intercom for the Zenith Radio Corporation, and in 1947, his glass-topped table was produced by Herman Miller.  This design—along with others such as his designs for Akari Light Sculptures which was developed in 1951 using traditional Japanese materials—are still being produced today.

In 1985 Noguchi opened The Isamu Noguchi Garden Museum (now known as The Noguchi Museum), in Long Island City, New York.  The Museum, established and designed by the artist, marked the culmination of his commitment to public spaces.  Located in a 1920s industrial building across the street from where the artist had established a studio in 1960, it has a serene outdoor sculpture garden, and many galleries that display Noguchi’s work, along with photographs and models from his career.

Noguchi’s first retrospective in the United States was in 1968, at the Whitney Museum of American Art, in New York City.  In 1986, he represented the United States at the Venice Biennale.  Noguchi received the Edward MacDowell Medal for Outstanding Lifetime Contribution to the Arts in 1982; the Kyoto Prize in Arts in 1986; the National Medal of Arts in 1987; and the Order of Sacred Treasure from the Japanese government in 1988.  He died in New York City in 1988.

(via shakurarts)

110,198 notes

sixpenceee:

A graduate student has created the first man-made biological leaf. It absorbs water and carbon dioxide to produce oxygen just like a plant. He did this by suspending chloroplasts in a mixture made out of silk protein. He believed it can be used for many things but the most striking one is the thought that it could be used for long distance space travel. Plants do not grow in space, but this synthetic material can be used to produce oxygen in a hostile environment. (Video)

(via liquor-liquor-lipss)

4,522 notes

nnekbone:

1. Antonio Douthit-Boyd, Alicia Graf Mack, Jamar Roberts and Kirven Douthit-Boyd

2. Matthew Rushing and Linda Celeste Sims

3. Linda Celeste Sims

4. Artistic Director Robert Battle, Associate Artistic Director Masazumi Chaya and members of the Company

5. Members of the Ailey company with Artistic Director Robert Battle

6. The Company

7. Jacqueline Green

8. Antonio Douthit-Boyd

9. Alicia Graf Mack

10. The Company with Artistic Director Robert Battle

Photos by Andrew Eccles

(via www.facebook.com/AlvinAileyAmericanDanceTheater)

(via lettersfromtitan)

1,263 notes

Hayv Kahraman

The Saatchi Gallery

Hayv Kahraman is an Iraqi artist and painter. Her works reflect the controversial issues of gender, honor killings and war, all issues that plague her home country of Iraq. Hayv currently lives and works in San Francisco

Hayv Kahraman is an artist from Iraq. Spanning drawing, painting, and sculpture, her practice engages with very difficult issues surrounding female identity in her homeland – how women are victimised within their own culture, made subservient to men and often suffer the most from the effects of the war. Kahraman tells these tales of horror with a demure grace through her stunningly beautiful paintings. In this series of work, her images depict the scriptural story of the Sacrifice of The Lamb, which is central to the Islamic festival of Eid al-Adha, recasting the figures as women.

(Source: asylum-art, via shakurarts)

319 notes

fuckyeahbookarts:

Special Sashimi by Mirim Seo

Philadelphia based artist/designer Mirim Seo sent her Special Sashimi project to me last week. For the first two or three pages, I thought “Oh, cute. A book about Sushi” … and then a few pages later, I gasped.

“Special Sashimi is about the slaughter of dolphins in Japan. The story depicted in this book is true. Each year Japan fishermen kill around 2,300 dolphins as a form of pest control, which has been accepted as tradition. And the killed dolphins end up in freezers and served sashimi in Japan. Illustrated with hand-sewing and watercolor on fabric. With this book, I hope to spread the true and help stop the senseless killing of the Taiji dolphins.”

If you’re interested to learn more, please visit this project on Mirim’s site. (Quote from the Jealous Curator)

19,806 notes

bidyke:

plagueofgripes:

vmagazine:

'Seeking Aether' (experimental garment collection): InAisce FW 13/14 Men's Collection featuring South Sudanese refugee and former child soldier turned actor and model Ger Duany  - video link

Ger Duany, you are amazing, sir. #7 is some kind of amazing villain waiting to be born.

No NO STOP BEING SO BEAUTIFUL AND WEARING ALL THESE PRETTY CLOTHES OMG I CAN’T EVEN >.<

33,754 notes

rachelstewartjewelry:



BETTY BOOP - OriginMs. ESTHER JONES, known by her stage name, “Baby Esther,” was an ” African-American singer and entertainer of the late 1920s. She performed regularly at the (The Cotton Club) in Harlem. Singer Helen Kane saw her act in 1928 and (COPIED or stole ). Ms Jones’ ‘baby’ Singing Style! &gt; for a recording of “I Wanna Be Loved By You.” Ms. Jones’ singing style went on to become the inspiration for (( Max Fleischer )) cartoon character’s Voice and SINGING style of BETTY BOOP, was YES a Black Woman. Her singing trademark Was.. “boop oop a doop “.. In a baby voice at the cotton club in Harlem. - Esther Jones who’s stage name was “Baby Esther” was a popular entertainer at Harlem’s Cotton Club in the late 1920s. Baby Esther interpolated words such as ‘Boo-Boo-Boo’ &amp; ‘Doo-Doo-Doo’ in songs at a cabaret. Helen Kane SAW Baby’s act in 1928 and (stole) Used it in her hit song I Wanna Be Loved By You.An early test sound film was also discovered, which featured Baby Esther performing in this style, disproving Kane’s claims. Baby Esther’s manager also testified that Helen Kane had saw Baby Esther’s cabaret act in 1928. Supreme Court Judge Edward J. McGoldrick ruled: “The plaintiff has failed to sustain either cause of action by proof of sufficient probative force”. In his opinion, the “baby” technique of singing did not originate with Kane.$250,000 infringement lawsuitEsther’s manager also testified that , Helen Kane &amp; her manager , saw Baby’s act somewhere between 1928-1929.Scholar Robert G.O’ Meally said, Betty Boop The WHITE CARTOON herself had, as it were, a BLACK grandmother in her backround.Baby Esther was presumed dead by 1934, just when the lawsuit had ended.@Learn your History or they will Hide it from you.@BLACK-American MUSIC and DANCE Styles. - Influential WorldWide “

rachelstewartjewelry:

BETTY BOOP - Origin

Ms. ESTHER JONES, known by her stage name, “Baby Esther,” was an ” African-American singer and entertainer of the late 1920s. She performed regularly at the (The Cotton Club) in Harlem. 

Singer Helen Kane saw her act in 1928 and (COPIED or stole ). Ms Jones’ ‘baby’ Singing Style! > for a recording of “I Wanna Be Loved By You.” 

Ms. Jones’ singing style went on to become the inspiration for (( Max Fleischer )) cartoon character’s Voice and SINGING style of BETTY BOOP, was YES a Black Woman. 

Her singing trademark Was.. “boop oop a doop “.. In a baby voice at the cotton club in Harlem. - 
Esther Jones who’s stage name was “Baby Esther” was a popular entertainer at Harlem’s Cotton Club in the late 1920s. Baby Esther interpolated words such as ‘Boo-Boo-Boo’ & ‘Doo-Doo-Doo’ in songs at a cabaret. 
Helen Kane SAW Baby’s act in 1928 and (stole) Used it in her hit song I Wanna Be Loved By You.

An early test sound film was also discovered, which featured Baby Esther performing in this style, disproving Kane’s claims. Baby Esther’s manager also testified that Helen Kane had saw Baby Esther’s cabaret act in 1928. 

Supreme Court Judge Edward J. McGoldrick ruled: “The plaintiff has failed to sustain either cause of action by proof of sufficient probative force”. In his opinion, the “baby” technique of singing did not originate with Kane.

$250,000 infringement lawsuit

Esther’s manager also testified that , Helen Kane & her manager , saw Baby’s act somewhere between 1928-1929.
Scholar Robert G.O’ Meally said, Betty Boop The WHITE CARTOON herself had, as it were, a BLACK grandmother in her backround.

Baby Esther was presumed dead by 1934, just when the lawsuit had ended.

@Learn your History or they will Hide it from you.
@BLACK-American MUSIC and DANCE Styles. - Influential WorldWide “

(via queerliness)